Last week we posted the first trailer for a 16-minute Western short called Hired Gun, which shot last year locally in Jamestown and Columbia. Since then we got hold of a second teaser and had a chance to speak with the producer Casey O’Reilly. The first thing we wanted to know was how they made it so gawsh-darn purty.
“We had a fair amount of visual effects done on the film,” said O’Reilly. “Most of them were to remove telephone lines, signs, roads, etc. The film was colored by a colorist and friend of ours Paul Cope. He did such a great job and really put a lot of work into it.”
None of that was missed, and the sky and mountains look glorious. We did notice a fair amount of visual effects crew in the credits, most from the San Francisco-based Academy of Art. It turns out they did some addition as well: “For the shoot out scene we added the bullet holes and debris in the door as well as the blood spray when the bartender gets shot in the face.”
O’Reilly has been studying filmmaking at the Academy of Art. This was his first stab at producing. “Joe (Heath, the director) approached me with the script and he asked, no wait, told me, that he wanted me to help him make this film. I didn’t know much about Westerns but for some reason I agreed. I think it was because I was promised my own walkie talkie.”
We forgot to ask if he did indeed get that walkie-talkie, but O’Reilly couldn’t be more effusive about the experience. “Everyone put in a lot of blood, sweat and tears (literally). Shooting out across the countryside for those 2 weeks was one of the best experiences of my life. So many strong bonds were formed during this whole crazy adventure and I’m totally indebted to everyone involved. They f—in rocked, I love them all and am incredibly grateful. Excuse my language.”
Casey, you are excused. And WE are grateful, too.
You can keep track of the progress of Hired Gun on its Facebook Fan Page.